ANECDOTE TUESDAY: SOLID GOLD

My first dance partner was my mother. I was a chunky rhythm-less child and my mother had missed her calling on Solid Gold, left to practice her fancy footwork in the living room, and oftentimes dropping to the floor in a bounce then coming up back up for a quick spin and snap her slender fingers while saying, “Whoo!” She was hot. My mother was also patient, holding my hand in an attempt to spin me around, which to her demise, only made me dizzy. I couldn’t keep up, barely able to snap my short, pudgy fingers to the beat.

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Right before I turned ten years old, my classmates and I were scheduled to perform on-stage in the school auditorium. It was supposed to be a talent show at our parochial school, a showcase of entertainment skill for our peers, parents, teachers. Somehow at my predominately White school, the only other Black girls in the third grade—Brenda, the fat one and Alisha, the scrawny one—and I became a lip-synching dance team. Our song of choice was a throwback sung by Alvin and the Chipmunks. Brenda said she had the record, and since we all lived nearby, we practiced our two step until it was flawless. For once, the prospect of dancing didn’t terrify me.

On the day of the talent show, Brenda announced that she couldn’t find the record. I wanted to slap the Jheri curl juice dripping from her short Afro, but instead, pleaded with my mother to lend us a record from her collection, which was also the only one we sort of knew all the words to. After much trepidation, she allowed me to borrow it.

We went on stage, wearing seventies-styled pink-with-a-black poodle skirt my mother had made for us, which would have been apropos to our original song. Looking out, I saw mostly White faces starting back, waiting for us to entertain. I nodded to the DJ, our third grade teacher, who scratched to record before playing it. For fifteen seconds, only the beat of our new song blared, then Rick James started singing, “She’s a very kinky girl…the kind you don’t take home to motha!” At the end of our “Super Freak” performance, my mother was the only person who clapped, then yelled, “Encore!”